Portsmouth music scene

The Folk Scene in Portsmouth

FOLK MUSIC GROUPS and SINGERS


Sailmakers


sail1 sail2 sail2
sail2 sail2 sail2 sail2

more about Shep Woolley


Folk & Jazz Clubs - Pub Locations
Air Balloon Buckland,
Black Dog Arundel Street,
Black Dog Havant,
Cambridge Hotel Southsea,
Cobden Arms Arundel Street,
Crystal Palace Fratton Bridge,
George & Dragon Cosham,
Oyster House Milton,
Portland Hotel Southsea,
Pure Drop Middle Street,
Railway Hotel Fratton,
Salutation New Road,
Star Lake Road,
Sunshine Inn Farlington,
Talbot Hotel Goldsmith Avenue,

Also,....some of the other folk groups
Cumberland Echoes,
Loft Folk Four/Three,
Weaver's Green,
Broadsiders,

From the NEWS Supplement "Portsmoputh in the 60's June 1993
Folk
The folkies clubs at the Star in Lake Road and The Railway, behind Fratton Station, where many will remember the nights spent being entertained by the irrepressible John Isherwood or Pat Nelson and sometimes by both. The Talbot in Goldsmith Avenue, also hosted a club, where it is rumoured that Paul Simon once played.

Paul Simon in Portsmouth. He made threee appearances in Portsmouth on his own and once with Art, but aslso in 1965 with The Lost City Ramblers with Mike, another of the Seeger family, came from the USA to play the next Oddfellows concert with fellow countryman Paul Simon and the Country Strings.

1965-00-00 Portsmouth, UK, Star Inn, Polytech Folk Club (with Art Garfunkel)
1965-00-00 Portsmouth, Star Inn / Polytechnic Folk Club
1965-00-00 Portsmouth Talbot Hotel / John Isherwood’s Folk Club, was paid just £15.

centre5 centre6 centre3 centre4 centre1

CENTRE FOLK CLUB 1972-80
50 years ago on 13th May 1972 the Centre Folk Club opened its doors for the first time at the then Centre Hotel in Southsea (now Holiday Inn). The brainchild of two local guys David Keast and Paul Hawkins, they were inspired by Pipers Club in Penzance, and set out to open not only the best, but also the biggest Folk Club in the UK. David recounts how they negotiated with the hotel for the use of the banqueting suite in return for the hotel running the bars. It was a win/win situation for everyone. The Folk Club got a venue free of charge, and the hotel got between 300 and 700 drinking customers in on a quiet night each Sunday. The club paid for the advertising and the artistes.
The opening night saw around 400 people turn up and join the club. Appearing were Albion Country Band with an all-star line-up that included folk legends such as John & Sue Kirkpatrick, Ashley Hutchings, Martin Carthy, Simon Nicol and Roger Swallow. There was a strong supporting cast of local artistes including Sailmakers, Steve May and Lesley Hutchings and it became the clubs policy to promote local artists each week supporting the star act. Julia Fordham was just one such act that went on to future musical success.

The club really caught the imagination, and over the first few weeks artistes such as Jake Thackray, Al Stewart, Magna Carta, Mike Chapman, Tir Na Nog, and Jasper Carrot all helped to enhance the clubs growing reputation. There is an interesting background to Jasper Carrot’s booking. Jasper’s manager John Starkey offered one of two deals. The first was a straight £100 to book Jasper. The second was £75 against 60% of the door takings. David wanted the £100 deal whilst Paul favoured the more cautious second option. In the end Paul won but on the night the percentage deal earnt Jasper £286 when he could have only been paid £100. Jaspers record “Funky Moped” was riding high in the charts by the time the booking came round and the club was packed.
The club had been going just 8 months when they booked the J S D Band. The club normally opened its doors at 7pm. On arriving at the club at 5pm a queue was already forming and that night over 700 people jigged and rocked the night away. There followed acts such as Gallagher & Lyle, Bert Jansch, Adge Cutler & the Wurzels, Stefan Grossman, John Martyn, Fairport, Judy Collins, Tom Paxton, Loudon Wainright lll, and Jack the Lad.

Jack the Lad was formed by some of the former members of Lindisfarne and they became the most popular act to appear at the club with “House Full” notices posted on each appearance.
In 1975 Eric Winter, the New Musical Express journalist, nominated the Centre Folk Club as his Club of the Year. The club also attracted its share of stars among the audience. Alan (Fluff) Freeman and Tony Blackburn were both spotted in the club, as were Portsmouth’s Schulman brothers from Gentle Giant. Around this time the BBC approached the Club with a view to recording a pilot programme featuring Jake Thackray and Jeremy Taylor. It was perhaps an acknowledgement that the Centre Folk Club had really arrived.

David and Paul had achieved their aim to have the biggest and best club in the country. David gives credit to Terry Pearson, who at the time was the Social Secretary at the old Portsmouth Polytechnic. Terry gave us lots of publicity amongst the students and contributed in no small measure to the clubs success. Things went well until a change of hotel management around 1979 saw the venue being booked out on Sundays and folk club nights being cancelled. David says that continuity was important. People would turn up on Sundays to find something else going on. Sadly we closed the doors in early 1980 but we had proved that there was a place in Portsmouth for such a club. It is interesting to note at least three copy-cat clubs would open and then close in Cardiff, Hull and West London. Only Portsmouth made it
FACEBOOK 13 May 2022

centre6

p1050111x p1050121

"Reet Petite and Gone," and the final performance at Milton Community Centre, 5th July 2014.

pearce1 pearce2

Colin and Bryan Pearce, the Pearce Brothers

barratt barratt2
fiddler2
railway inn fratton

The Folk Club at the Railway Hotel Fratton
The bearded man with dark jacket near the door is club organiser Sooty Broughton and the dark haired lady sat in front of him is Pam Wilkins

roberts2

Barry Roberts playing guitar at Fratton’s Railway Folk Club in the early 1960s. Ted Wenham who ran the club is singing, and that night’s guest artist Redd Sullivan is in the background, waiting his turn. Barry really was a very fine all-round guitar player.

railway-folk-1

pshantymen

Portsmouth Shantymen

Pete Luscombe, Nick Gough, Pete Wilkinson and John Lansley

Squinty McGinty

Chris Lowe, Angela Clancy-Martin and Chris Bousher
They usually play as a four piece band with a caller. Here are names of the excellent players who work with the band,
Stu Reed - Fiddle / Vocals, Max Lanchbury - Accordion, Susan Penny - Vocals, Gill Tolliday - Fiddle / Accordion, Mandy Westwood - Accordion, Nigel Barrel - Caller / Drummer, Pete Atkinson - Caller, Charles Haskell - Caller, Gill Tolliday - Fiddle / Accordion, Janet Beale- Accordion, Chris Mulvey - Caller, Ludwig - Drummer.

squinty

Barebones Acoustic Nights

dj1 tuther1 ws1 three1 becky1 marley1

For more information;-
- http://barebonesacoustic.wordpress.com -

moonmist

1974/5 Moon Mist at the Centre Hotel Southsea Sunday night folk club (supporting Ralph McTell)
left to tight Pete Bugg guitar/mandolin/vocals, Colin Simpson guitar/ bongos, Pat Collins bass & flute, Ray King woodwind/ sax,
Colin Simpson guitar/ bongos, but Wilbur West guitar is out of the photo.

polite1
polite3

The Polite Mechanicals

click here for Jon Isherwood

more about 'Barebones' accoustic nights


Return to the previous page